By Scott Essman

Warning: Image spoilers ahead.

When you conjure images of the sets of classic horrors such as Lon Chaney’s Phantom of the Opera, Jack Pierce’s The Wolf Man with Lon Chaney, Jr. or Frankenstein’s Monster with Boris Karloff, and Wally Westmore’s Mr. Hyde with Fredric March, you picture the lone makeup artist creating magical character concepts inside a cramped makeup studio, then arriving with his makeup kit to the set of his movie alone to realize the character for film.  Such was the case with Gino Crognale on the new horror picture Sorority Row. (more…)